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7th":"属七和弦在大三和弦上添加了一个小七度，创造出充满张力、渴望解决的音响。它是调性和声中最重要的和弦之一，推动和弦进行向前发展。属七和弦在布鲁斯、爵士、放克和摇滚音乐中不可或缺。","major 7th":"大七和弦拥有丰满、梦幻且精致的音响。它在大三和弦上添加了一个大七度音程，赋予其温暖的爵士质感。大七和弦广泛应用于爵士、节奏布鲁斯、新灵魂乐、波萨诺瓦和当代流行音乐中。","minor 7th":"小七和弦将小三和弦的暗沉特质与附加的小七度相结合，产生温暖而柔和的音响。它是爵士、灵魂乐、节奏布鲁斯和放克音乐中最常用的和弦之一。","diminished 7th":"减七和弦由三个小三度层层叠加而成，创造出对称且极不稳定的音响。这种对称性意味着该和弦可以向多个方向解决，使其成为转调的常用工具。","half-diminished":"半减七和弦，也称为小七降五和弦，具有暗沉而渴望的特质。由根音、小三度、减五度和小七度构成，它通常在小调中充当ii级和弦的功能。","augmented 7th":"增七和弦将增三和弦的张力与小七度相结合，创造出极不稳定且色彩丰富的音响。它常被用作带有变化五度的属和弦。","suspended 2nd":"挂二和弦用大二度替代三度，创造出一种开放而模糊的音响，既非大调也非小调。挂二和弦在摇滚、流行、氛围音乐和民谣中很受欢迎。","suspended 4th":"挂四和弦用纯四度替代三度，产生一种渴望回到大三或小三和弦的张力。挂四和弦广泛应用于摇滚、流行、赞美诗和凯尔特音乐中。","dominant 9th":"属九和弦在属七和弦的基础上添加了大九度，创造出丰富而多彩的音响。属九和弦在爵士、放克、节奏布鲁斯和布鲁斯音乐中不可或缺。","major 9th":"大九和弦在大七和弦的基础上添加了九度，产生更加丰满和宽广的音响。它常用于爵士、新灵魂乐、波萨诺瓦和精致的流行编曲中。","minor 9th":"小九和弦在小七和弦上添加了九度，创造出丰富、复杂而柔滑的音响，带有温暖的忧郁感。小九和弦常见于爵士、节奏布鲁斯、新灵魂乐和低保真嘻哈音乐中。","dominant 13th":"属十三和弦在大三和弦上方包含了七度、九度和十三度。它拥有明亮、饱满且精致的音响，同时蕴含内在的张力。它是爵士和放克音乐的标志性和弦。","major 13th":"大十三和弦将大七和弦一直延伸到十三度，创造出闪耀而华丽的音响。它最常出现在爵士、融合音乐以及精致的流行或节奏布鲁斯编曲中。","minor 13th":"小十三和弦将小七和弦扩展了九度、十一度和十三度，产生丰富而复杂的音响，带有暗沉的温暖感。它常用于爵士和新灵魂乐中。","minor 11th":"小十一和弦在小七和弦上添加了十一度，创造出宽广而具有调式感的音响。小十一和弦常见于爵士、调式音乐、新灵魂乐和低保真音乐制作中。","6th":"六和弦在大三和弦上添加了大六度，赋予其温暖而略带怀旧的特质。它广泛应用于爵士经典曲目、摇摆乐、乡村音乐和夏威夷音乐中。","minor 6th":"小六和弦在小三和弦上添加了大六度，创造出苦涩而精致的音响。它常用于爵士、探戈、黑色电影配乐和波萨诺瓦中。","6th/9th":"六九和弦将大三和弦与附加的六度和九度相结合，是音响最温暖、最悦耳的和弦之一。它常被用作爵士和福音音乐中的结束和弦。","dominant #9":"属升九和弦，以「亨德里克斯和弦」闻名，在属七和弦上添加了升九度，创造出粗犷、蓝调而不协和的音响。它是摇滚、布鲁斯和放克中的标志性和弦。","dominant b9":"属降九和弦在属七和弦上添加了降九度，创造出暗沉而紧张、强烈要求解决的音响。它常用于爵士、受弗拉门戈影响的音乐以及小调和弦进行中。","minor/major 7th":"小大七和弦将小三和弦与大七度相结合，创造出一种不寻常而令人难忘的音响。这个和弦常与神秘和悬疑联系在一起，出现在爵士乐和电影配乐中。","power chord":"强力和弦仅由根音和纯五度组成，没有三度。这使它既非大调也非小调，赋予其强劲、中性而富有攻击性的音响。强力和弦是摇滚、朋克、金属和垃圾摇滚的基石。","fifth":"五度和弦仅包含根音和纯五度，没有三度。其开放而空旷的音响使其既多用途又富有力量，常用于摇滚、金属和朋克音乐中。","altered":"变化和弦是一种将五度和九度升高或降低的属七和弦，由此创造出最大的半音化张力。变化和弦是爵士即兴演奏的基石。","lydian":"利底亚和弦是一种带有附加升十一度（#11）的大和弦，赋予其明亮、空灵而略带异域风情的音响。利底亚和弦在爵士、电影配乐和前卫音乐中广受欢迎。","lydian dominant 7th":"利底亚属七和弦将属七和弦与升十一度相结合，融合了属功能的张力与利底亚调式的明亮感。它在爵士中常被用作标准属和弦的替代和弦。","major 7th b6":"大七降六和弦将大七和弦与降六度相结合，产生不寻常的张力。这个和弦出现在爵士和当代古典音乐的语境中。","suspended 4th 7th":"挂四七和弦将挂四和弦的悬挂感与附加的小七度相结合。它常用于放克、灵魂乐和爵士中，作为延迟解决的属和弦。","suspended 4th b9":"挂四降九和弦在挂四和弦上添加了降九度，创造出暗沉、紧张而富有戏剧性的音响，强烈要求解决。","quartal":"四度和弦通过叠加纯四度而非三度来构建。这创造出一种开放、现代而模糊的音响。四度和声是现代爵士的标志性特征。","11th":"十一和弦在属七和弦的基础上添加了九度和十一度，形成一个高大而复杂的和弦。十一和弦常用于爵士、放克和灵魂音乐中。","major #11 (lydian)":"大升十一和弦在大和弦上添加了升十一度，赋予其明亮、飘逸而空灵的特质。它广泛应用于爵士声部编配和电影配乐中。"},"chordQualityDescriptions":{"Major":"这是一种建立在大三和弦基础上的大调性质和弦。大调和弦产生明亮、稳定且协和的音响，构成西方音乐和声的基础。","Minor":"这是一种建立在小三和弦基础上的小调性质和弦。小调和弦与大调和弦相比，产生更暗沉、更富有情感的音响。","Augmented":"这是一种增和弦性质的和弦，通过将大和弦的五度升高半音来构建。增和弦具有紧张、未解决的音响。","Diminished":"这是一种减和弦性质的和弦，通过将小和弦的五度降低半音来构建。减和弦产生紧张、不稳定的音响。","Unknown":"这个和弦具有独特的音程结构，赋予其鲜明的音响特质。它为音乐实验提供了有趣的和声可能性。"},"scaleDescriptions":{"major":"大调音阶是西方音乐理论中最基本的音阶。其全音和半音的排列模式（全-全-半-全-全-全-半）产生明亮、愉悦而有解决感的音响。几乎所有的西方和声、旋律和音乐理论都建立在大调音阶及其内在关系之上。","minor":"自然小调音阶，也称为艾奥利亚调式，是西方音乐中第二重要的音阶。与大调音阶相比，其降低的第三、第六和第七音级赋予它暗沉、悲伤而内省的特质。它是各种体裁中小调和声的基础。","ionian":"伊奥尼亚调式与大调音阶相同，是七种自然音阶调式中的第一种。由于其大三度和大七度，它产生明亮、愉悦且稳定的音响。将其理解为一种调式有助于学习爵士和融合音乐中的调式和声与即兴演奏。","dorian":"多利亚调式是一种带有升高第六音级的小调音阶，赋予其比自然小调更明亮、更具爵士感的音响。它是爵士即兴演奏、放克和布鲁斯中使用最广泛的调式之一。其特征性的升六度使其非常适合在小七和弦上演奏。","phrygian":"弗里吉亚调式是一种带有降低第二音级的小调音阶，赋予其暗沉、西班牙风格和异域风情的音响。第一和第二音之间的半音关系创造了其独特的性格。它常用于弗拉门戈、金属乐、中东风格的音乐和戏剧性的电影配乐中。","lydian":"利底亚调式是一种带有升高第四音级的大调音阶，产生明亮、梦幻而飘浮的音响。增四度赋予其一种空灵的特质，使其区别于标准大调音阶。它在爵士、电影配乐和前卫摇滚中因其积极向上的特质而备受青睐。","mixolydian":"混合利底亚调式是一种带有降低第七音级的大调音阶，创造出明亮但带有蓝调色彩的音响。它是演奏属七和弦的自然选择。混合利底亚调式在布鲁斯、摇滚、乡村、放克和爵士即兴演奏中不可或缺。","aeolian":"艾奥利亚调式与自然小调音阶相同，建立在大调音阶的第六音级上。由于其小三度、小六度和小七度，它具有忧郁而内省的音响。它是几乎所有西方音乐体裁中小调和声的基础。","locrian":"洛克里亚调式是七种自然音阶调式中最暗沉、最不稳定的。其减五度使即使是主和弦也感觉未解决。虽然很少用作调性中心，但洛克里亚调式对于在爵士中对半减和弦进行即兴演奏以及在金属乐中制造极端张力非常重要。","harmonic minor":"和声小调音阶将自然小调音阶的第七音级升高，创造出一个强烈指向主音的导音。这在第六和第七音级之间产生了特征性的增二度音程，赋予其戏剧性的、中东或古典风格的音响。它对于小调和声至关重要。","melodic minor":"旋律小调音阶在上行时将自然小调的第六和第七音级同时升高，消除了和声小调中不自然的增二度。在爵士中，其上行形式在上下行时均被使用。它是许多重要的爵士调式和和弦-音阶关系的母音阶。","blues":"布鲁斯音阶在小五声音阶的基础上添加了一个降五度（「蓝调音」），创造出其标志性的粗犷、深情的音响。这个六音音阶是布鲁斯音乐的基础，广泛应用于摇滚、爵士、放克和节奏布鲁斯中。蓝调音创造了定义布鲁斯感觉的表现性张力。","major pentatonic":"大五声音阶是一种通过去除大调音阶的第四和第七音级而得到的五音音阶。这消除了所有半音，产生协和、悦耳且具有普遍吸引力的音响。它被运用于世界各地几乎所有音乐传统中，从民谣到流行、从乡村到摇滚。","minor pentatonic":"小五声音阶是一种通过去除小调音阶的第二和第六音级而得到的五音音阶。其简洁性和强劲的音响使其成为摇滚、布鲁斯和流行独奏中最常用的音阶。它通常是吉他手学习即兴演奏时接触的第一个音阶。","major blues":"大调布鲁斯音阶在大五声音阶的基础上添加了一个降三度（蓝调音），将大调的明亮感与蓝调的粗犷感融合在一起。它产生温暖而富有灵魂的音响，非常适合大调和属和弦。它常用于布鲁斯、福音、乡村和爵士即兴演奏中。","minor blues":"小调布鲁斯音阶是标准布鲁斯音阶的另一个名称，将小五声音阶与附加的降五度相结合。它是布鲁斯独奏的典型音阶，产生定义这一体裁的原始而富有情感的音响。它适用于小调和属七和弦。","chromatic":"半音音阶包含西方音乐中所有十二个音，每个音相隔半音。它通常不用作调性中心，而是作为经过音手段来创造张力、色彩和流畅的声部进行。半音经过句出现在从古典到爵士再到金属的几乎所有体裁中。","whole tone":"全音音阶是一种完全由全音构成的六音对称音阶。它具有梦幻、飘浮而模糊的音响，没有明确的调性中心。德彪西曾著名地使用过这一音阶，它在爵士、电影配乐以及任何需要营造悬浮现实感的语境中都很常见。","diminished":"减音阶，也称为八声音阶，交替使用全音和半音，形成一个八音对称音阶。其重复的模式赋予它暗沉、神秘而紧张的特质。它广泛应用于减和弦上的爵士即兴演奏以及古典和电影音乐中。","half-whole diminished":"半全减音阶以半音开始，交替使用半音和全音。它是在带有变化张力（降九、升九、升十一）的属七和弦上即兴演奏的首选音阶。它是爵士中不可或缺的工具，在属和声上创造紧张而多彩的音响。","whole-half diminished":"全半减音阶以全音开始，交替使用全音和半音。它通常用于减七和弦上，产生暗沉而对称的音响。每个音都可以作为潜在的根音，使其在爵士和古典音乐中对转调非常有用。","bebop":"比波普音阶在七音音阶中添加了一个半音经过音，形成一个八音音阶，使和弦音在以八分音符演奏时与强拍对齐。这是爵士中的革命性概念，使即兴演奏者能够在流畅的线条中强调和声。它是爵士即兴演奏的基础。","bebop major":"比波普大调音阶在大调音阶的第五和第六音级之间添加了一个半音经过音（降六度）。这个八音音阶在八分音符线条中保持和弦音位于强拍上，这是爵士中的关键概念。它用于比波普和主流爵士中的大七和弦上。","bebop minor":"比波普小调音阶在多利亚调式的第五和第六音级之间添加了一个半音经过音。这使小七和弦的导音在即兴演奏中与强拍对齐。它是爵士音乐家在小七和弦上进行独奏的关键工具。","spanish":"西班牙音阶与弗里吉亚属调式密切相关，具有鲜明的弗拉门戈和安达卢西亚风格的音响。其特征性的降二度和大三度创造了与西班牙音乐相关联的异域张力。它广泛应用于弗拉门戈吉他、拉丁爵士以及任何唤起地中海氛围的音乐中。","hungarian minor":"匈牙利小调音阶，也称为吉普赛小调，其增二度音程赋予它戏剧性而充满异域风情的东欧音响。它将和声小调的元素与升高的第四音级相结合。它与罗姆人音乐、匈牙利民间音乐和戏剧性的古典作品相关联。","phrygian dominant":"弗里吉亚属音阶是和声小调音阶的第五调式。它像弗里吉亚调式一样拥有降二度，但带有大三度，创造出与中东、犹太和弗拉门戈音乐密切相关的音响。它常用于解决到小调的属和弦上。","double harmonic major":"双和声大调音阶，也称为拜占庭音阶或阿拉伯音阶，其两个增二度赋予它极具异域风情和戏剧性的音响。它常用于中东、印度和东欧音乐中。其对称结构使其在七声音阶中独具色彩。","persian":"波斯音阶具有暗沉而充满异域风情的音响，带有特征性的增二度音程。它唤起伊朗和更广泛中东地区的音乐传统。它被用来在传统波斯音乐和追求东方韵味的西方作品中创造富有氛围感、神秘而戏剧性的音乐段落。","arabian":"阿拉伯音阶以其特征性的音程捕捉了传统中东音乐的精髓。它的增二度创造出与阿拉伯音乐传统相关联的异域而华丽的音响。它被运用于传统阿拉伯音乐、肚皮舞音乐以及追求东方氛围的西方作品中。","flamenco":"弗拉门戈音阶与弗里吉亚调式和弗里吉亚属调式密切相关，捕捉了西班牙弗拉门戈音乐的热情与戏剧性本质。其特征性的降二度创造出张力和情感的强度。它对于弗拉门戈吉他不可或缺，同时也应用于拉丁爵士和融合音乐中。","indian":"印度音阶反映了传统印度古典音乐（拉格体系）中的旋律模式。它捕捉了印度音乐传统中冥想性和表现性的特质。这一音阶被用于在传统和当代西方融合音乐的语境中唤起印度音乐的氛围。","enigmatic":"神秘音阶是一种罕见而不寻常的音阶，具有难以预测的音程模式。它由朱塞佩·威尔第创造，拥有独特的音程组合，打破了传统调性的期待。它主要用于前卫和当代古典音乐中，以营造神秘而模糊的特质。"},"scaleDefaultDescription":"这个音阶具有独特的音程排列模式，赋予其鲜明的音响特质。探索不熟悉的音阶是发现新旋律可能性的绝佳方式。"}}},"staticQueryHashes":["3139285503","3649515864"]}